Typography is an important element to design, communication and information delivery. It is everywhere yet we rarely recognize it.
Legibility = Classical, time-tested typefaces have the best readability
Serif = Reads best at smaller sizes; can be complimentary
Variance = Adds flavor, but too much can confuse the reader
Definition = Draw attention to certain words, fonts that are too similar means lack of clarity
Alignment = Align words considering eye flow -- left alignment reads easiest
Integrity = Distorted and warped works hurt the eyes and makes it harder to read
Weight = Different font strokes to create a sense of balance, mostly heavy or light
Legibility = Classical, time-tested typefaces have the best readability
Serif = Reads best at smaller sizes; can be complimentary
Variance = Adds flavor, but too much can confuse the reader
Definition = Draw attention to certain words, fonts that are too similar means lack of clarity
Alignment = Align words considering eye flow -- left alignment reads easiest
Integrity = Distorted and warped works hurt the eyes and makes it harder to read
Weight = Different font strokes to create a sense of balance, mostly heavy or light
The 19 Rules of Typography
- Choose classical, time-tested typefaces for optimum legibility.
- Be mindful not to use too many different typefaces at once. The reader should be able to determine what I and isn't important through the font.
- Avoid combining similar faces. This will reduce the emphasis of the text.
- Text set in all capital letters severely hinders reading.
- Use sizes that aid readability. The best size is 8 to 12 point for text 12-14 inches in length.
- Avoid using too many sizes and weights at the same time. Two different sizes at most is recommended.
- Use text types of book weight (not too heavy or too light).
- Use type faces of medium width.
- Use consistent letter and word spacing to produce an even, uninterrupted flow.
- Use appropriate line lengths or ligatures.
- Use line spacing that easily carries the eye from one line to the next.
- Use a flush left, ragged right (left aligned, right varies in length) alignment for optimum readability.
- Strive for consistent, rhythmic rags (right edge of left-justified paragraph).
- Clearly indicate paragraphs, but be careful not to upset the integrity of the text.
- Avoid widows (word or short line at beginning or end of paragraph) and orphans (single syllable at the end of a paragraph) whenever possible.
- Emphasize elements within the text with discretion and without disturbing reading flow.
- Always maintain the integrity of type, and avoid arbitrarily stretching letters.
- Always align letters and words on the baseline.
- When working with type and color, ensure sufficient contrast between type and background.
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